STUCCO WORK IN ARCHITECTURE WITH SPECIAL REFERENCE TO LUCKNOW
DOI:
https://doi.org/10.29121/shodhshreejan.v3.i1.2026.68Keywords:
Stucco, Heritage, Monument, Conservation, PlasterAbstract [English]
This paper examines the tradition of stucco work and architectural mouldings in Lucknow, tracing its evolution from the early precedents through the Nawabi era to its present conservation challenges. Lucknow's architectural identity stands out due to its lime stucco tradition. This craft was born out of geographical necessity due to the absence of building stone in the Ganga Doab area. Drawing on primary site documentation, scholarly literature, and conservation reports, this study analyses the material composition, stylistic range, and cultural significance of stucco work across key monuments like the Bada Imambara, Sibtainabad Imambara, Rumi Darwaza, Constantia (La Martiniere College) and some other monuments of Lucknow.The paper further examines the cross cultural dimensions of Lucknow's stucco traditions, arguing that the incorporation of European neoclassical mouldings within local craft frameworks most visibly at Constantia represents a significant instance of decorative syncretism in colonial era India. The paper concludes with a critical assessment of conservation challenges and policy recommendations for the protection of this endangered craft heritage.
References
Ameen, M. A. (n.d.). Architectural Synthesis in 18th-Century Lucknow. Kuey Journal, 30(1), 8581.
Author. (n.d.). Source-Author.
Author. (n.d.). Source-Author.
Enroute Indian History. (2025, August). Imambaras of Lucknow.
INTACH. (n.d.). Source-Intach.org.
Joshua Tree Ventures. (n.d.). What is Stucco.
Khan, N. (2009). Strategy for the Revival of Art and Skill of Lime Plaster Ornamentation of Lucknow. In 7th International Conference MAAN (Vol. 7, pp. 125–137). New Delhi.
Khan, N. R. (2014). Medieval Architecture of India: A Source of History (From 12th to 18th Century).
Lucknow Observer. (2021, January). Lakhauri Bricks.
Metropolitan Museum of Art. (n.d.). Roman Stuccowork. The Met Heilbrunn Timeline of Art History.
Metropolitan Museum of Art. (n.d.). Roman Stuccowork. The Met Heilbrunn Timeline of Art History.
Plant, J. (2021). Hard as Rock and Light as Air: Stucco Ceilings in Roman Domestic Space. In Materiality in Roman Art and Architecture. https://doi.org/10.1515/9783110764734-007
ResearchGate. (2006). Lime Stucco of Lucknow - Attributes, Issues and Conservation [Based on M.Arch. thesis, School of Planning & Architecture, New Delhi].
ResearchGate. (n.d.). Techniques and Stylistic Characteristics of Stucco Decorations in Ilkhanid Architecture of Iran – Figures.
Shekofte, A. (2025). Techniques and Stylistic Characteristics of Stucco Decorations in Ilkhanid Architecture of Iran. Heritage, 8(11), 443. https://doi.org/10.3390/heritage8110443
Shekofte, A. (2025). Techniques and Stylistic Characteristics of Stucco Decorations in Ilkhanid Architecture of Iran. Heritage, 8(11), 443. https://doi.org/10.3390/heritage8110443
The new encyclopaedia Britannica (15th ed., Vol. 8, p. 932). (1987). Encyclopaedia Britannica.
Tornos India. (n.d.). Muses in La Martinière’s Constantia: A Work of Wedgwood’s Neoclassical Art.
UNESCO. (n.d.). Traditional craftsmanship. Intangible Cultural Heritage.
Vogue India. (2022, September). Inside La Martinière - the Spectacular, Newly Restored Palace-Turned-School in Lucknow.
Published
Issue
Section
License
Copyright (c) 2026 Dr. Sanobar Haider

This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.



















